Document Type : .
Authors
1 PhD student in Cultural Sociology, Central Tehran Branch, Islamic Azad University, Tehran, Iran
2 Professor of Department of Social Communication, University of Tehran
3 Assistant Professor, Department of Cultural and Media Studies, Central Tehran Branch, Islamic Azad University, Tehran, Iran
Abstract
In this article, an attempt has been made to study the sociological policies of the cultural-artistic reform discourse and its effect on film productions, and by using the method of critical discourse analysis, the works of film production have been investigated. The intellectual system of the article consists of three analysis components.The discourse of"Lakele and Mouffe",critical discourse analysis of "Fairclough"and discourse theory of "Michel Foucault" and the use of discourse analysis in the research method based on the combination of the two approaches of "Lakele and Mouffe","Fairclough and Van Dijk" and by studying film productions Reform discourse was used. In this regard, the film"Born in the month of Mehr"was chosen as an example of analysis due to the presentation of two different frames from the discourse period before and after. In the following, by summarizing the cultural-artistic policies of the dominant discourse, it can be concluded that with the change Gradually and not fundamentally in the meaning of the central signifier, a significant effect was created in the field of culture and art, this process was so positively evaluated by the audience of art that the cinematographic productions in the subsequent discourses were also greatly influenced by it
Keywords
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